As a oil painter there are always problems you have to over come to make a good painting. Sometimes you either rushed things a bit or your materials weren't perfect or your knowledge just wasn't there yet. The after sight is what I was dealing with recently.
I usually don't go back a rework paintings very often, but I did on this one.
The Salt Creek painting as it sat on a wall |
There was a lot of things that I liked about this painting when I finished it the first time.
It was a bigger painting than I usually do.
I liked the composition, the light coming thru the tree, the water effects and the over all colors used was interesting in the painting.
But what I later decided I didn't like and bothered the dickens out of me was the main tree and the grasses around it. What was I thinking? And the foreground wasn't as interesting as I would like it to be, and the clouds need help also.
The tree area I would be targeting first a long with color changes |
So I made up my mind to go back in and make some changes-
First I would start with the tree! If this painting was going to be any good that tree had to be interesting. So I took a photo of it and took it into Photoshop and played around with it and came up with a plan.
A Plan is the MOST important piece of re-working a painting! If you don't know what to fix you are playing not painting.
This where I when to work and here is what it turned into.
The purple mass of trees behind the main tree was something of a surprise, I didn't expect it to work out so well as it did. It added a whole new feel that I went with by bringing in that color into other places in the painting to move the eye around.
The Photoshopped in a tree that I felt would be more impactful to the scene. An older tree with a little more tilt to it. |
"Salt Creek" By James Swanson 24 x 30 Oil |
Now Salt Creek is ready to go back on the wall, this time with a fresh and stronger look.
Last night, my son introduced me to your work. He said you do work for the company he works for. UP Shot. I was blown away by your work. You strokes, your use of color is done like a master.
ReplyDeleteLiz, in Wisconsin. lznigh@gmail.com